Members Mikester Posted May 5, 2014 Members Share Posted May 5, 2014 I bought a new camera late last year but really didn't put much effort into figuring things out until recently. If you've seen my previous work you know that I normally photograph outdoors in a vignette setting. Took a little time playing with my settings manually and was pretty pleased with the outcome, much better results than I've been able to achieve previously. Here are some shots, any critiques from photo experts and/or neophytes appreciated. The kits are the 1/32 Eduard Bf 109E-7/Trop and the 1/32 Trumpeter Bf 109G-6. 8 Link to comment Share on other sites More sharing options...
nmayhew Posted May 5, 2014 Share Posted May 5, 2014 nailed it! Link to comment Share on other sites More sharing options...
One-Oh-Four Posted May 5, 2014 Share Posted May 5, 2014 Looking very good! The only thing that could be improved upon is the aperture. I don't know what aperture you chose but with a Digital SLR with an APS-C or DX-sized sensor I would use f/22 to get both ends in focus. A smaller sensor automatically gives you a bigger Depth Of Field so can have a bigger aperture / smaller f/stop number setting. You nailed the lighting, colours looking very good! Link to comment Share on other sites More sharing options...
Administrators James H Posted May 5, 2014 Administrators Share Posted May 5, 2014 Great pics Mike. Hey, that's not the Eduard 109 is it? I heard it was unbuildable 1 Link to comment Share on other sites More sharing options...
Members Mikester Posted May 5, 2014 Author Members Share Posted May 5, 2014 Looking very good! The only thing that could be improved upon is the aperture. I don't know what aperture you chose but with a Digital SLR with an APS-C or DX-sized sensor I would use f/22 to get both ends in focus. A smaller sensor automatically gives you a bigger Depth Of Field so can have a bigger aperture / smaller f/stop number setting. You nailed the lighting, colours looking very good! Erik, truthfully I don't what my aperture setting was. I was playing around with the ISO settings manually, other than that I'm pretty much clueless on this stuff. I'll play around with that next time though! Thanks for the input. Link to comment Share on other sites More sharing options...
Members Mikester Posted May 5, 2014 Author Members Share Posted May 5, 2014 Great pics Mike. Hey, that's not the Eduard 109 is it? I heard it was unbuildable Yes, did you notice that huge bump on the fuselage spine just aft of the cockpit? It just kind of jumps right out and smacks you in the face, right? Link to comment Share on other sites More sharing options...
Paulster Posted May 5, 2014 Share Posted May 5, 2014 Very nice Mikey. I will take Canon 5D (new) in lieu of storage fee's. Link to comment Share on other sites More sharing options...
Members Mikester Posted May 6, 2014 Author Members Share Posted May 6, 2014 Hoping to be back in July so I can get that stuff out of there and we can throw back a few! Link to comment Share on other sites More sharing options...
tomv1987 Posted May 6, 2014 Share Posted May 6, 2014 Beautiful work! That desert camo version 109 is one of my favorite paint schemes. Tom Link to comment Share on other sites More sharing options...
RalphSarc Posted May 6, 2014 Share Posted May 6, 2014 Great photos with your new camera and fantastic finish on the 109's. I really like the desert chamofluge version! I have several nice digital cameras but take all my pictures with my I-Phone. Ralph. Link to comment Share on other sites More sharing options...
JeffH Posted May 6, 2014 Share Posted May 6, 2014 Mike, ISO is only one part of the holy trinity of exposure. The other 2 pieces are shutter speed and aperture. You can arrive at the same exposure by varying the combinations of the individual elements. Which element you vary depends on what effect you're looking for and the light conditions that are thrown at you. ISO - you've already found cranking it higher allows you to use a faster shutter speed when there is less light Shutter Speed - If you're not using a tripod you want to shoot at 1/60th second or faster (faster if say your subject is moving) Aperture - Along with its role in controlling exposure controls 'depth-of-field'; the amount of the subject area that is in focus. Larger apertures (lower f-stops like f1.8) blur parts of the foreground and background. Smaller apertures (higher f-stops like f16, f22) keep the entire range in focus. So really you can change any or all three and get the same _exposure_ but higher ISO's translate to noise on the sensor and end up producing grainier images especially when scaled up to larger size or cropped tightly in a photo editor. For modeling purposes we have the following constraints: - Our subjects aren't moving so shutter speed only matters if you're trying to hold the camera by hand - We want to see crisp focus so we want smaller aperture values (higher f-stop numbers like f16, f22) - We want to be able to crop closely to see detail so lower ISO values are needed (I like to use 200) Now if you don't have a tripod and you set ISO 200, f22 and 1/60 shutter speed you will probably find you have a very dark photo. Such is the beast. In order to get a proper exposure you either need to add more light or change one of the variables. If you can't add more light we want to keep f22 and ISO 200 so the only piece left to us is the shutter speed. You need to find the shutter speed that will render a properly exposed image given the available light, ISO200 and f22. If you have a hand-held light meter it will tell you. Most people don't have a light meter but all DSLR's come with one when you're in manual mode. When you look thru the viewfinder you will see a scale on the bottom of the screen like the following + - - - - 0 - - - - _ When you half-press the shutter button in manual mode the camera will read the available light and tell you whether you're going to over-expose (bars on the plus side of zero) or under-expose (bars on the negative side) Now all you need to do is change the shutter speed until all the bars are gone and the meter is right on Zero. When you do this you're going to find the shutter speed the camera wants to use is something like 3 or 4 seconds. There's no way you can hold the camera for that long and not make small movements that end up causing your photo to blur. This is why a tripod is pretty much mandatory. The other trick once the camera is on the tripod is to use the timer function on the camera. This will get rid of the small movement you create when you press the shutter Hopefully you have a DSLR and all of the above might be of some use to you. If you just have a point and shoot then you will find all of the above still applies but not all point and shoots have a built-in light meter that can help you arrive at the proper shutter speed. 1 Link to comment Share on other sites More sharing options...
Members Mikester Posted May 6, 2014 Author Members Share Posted May 6, 2014 Jeff, Thanks for the tutorial! My camera is a Sony NEX-F3, I believe I have the capability to manually adjust all the settings that you mentioned. I do have a tripod as well, I'm going to do a little experimentation this weekend to see if I can improve on what I've done. Link to comment Share on other sites More sharing options...
franck Posted May 7, 2014 Share Posted May 7, 2014 Nice 109 Mike! 1 Link to comment Share on other sites More sharing options...
Members Mikester Posted May 7, 2014 Author Members Share Posted May 7, 2014 Nice 109 Mike! Franck, thank you my friend! Nice to see you back! Link to comment Share on other sites More sharing options...
One-Oh-Four Posted May 8, 2014 Share Posted May 8, 2014 Just looked that Sony up on dpreview. It indeed has an APS-C format sensor, so it pays to set the aperture to f./22. You can try the same shot with f./16 to look of the front and rear are still sharp. The lowest ISO-setting on your camera is 200, use that. As already written above, it gives you the least noise-induced artifacts. Use a STURDY tripod, not the cheapest you can find. Using the timer function is indeed a great tip, or the remote control if your cam has that. Shooting in RAW is very good because it gives you control of the final photo. Normally RAW is just that; the raw data off the sensor. However, Sony is known to use some form of (lossy) compression on their RAW files. RAW files always need to be sharpened as part of the digital workflow in programs such as Camera RAW or Lightroom. Although JPEG's have less "bandwith" to play with the white balance and exposure in such programs; if you are happy with the results straight from the camera, there is no reason not to use JPEG's from the camera. If you decide to tweak your photos in RAW before converting them to JPEG; don't forget to calibrate the screen of your computer! Standard TFT-screens are always way too blue! http://spyder.datacolor.com/display-calibration/ http://www.imaging-resource.com/PRODS/sony-nex-f3/sony-nex-f3A.HTM http://www.cambridgeincolour.com/tutorials.htm http://www.cambridgeincolour.com/tutorials/macro-lenses.htm 1 Link to comment Share on other sites More sharing options...
Members Mikester Posted May 9, 2014 Author Members Share Posted May 9, 2014 Great info, Erik, thanks! Link to comment Share on other sites More sharing options...
Members Mikester Posted May 17, 2014 Author Members Share Posted May 17, 2014 OK, I'm still having depth of field issues. The following were taken on a tripod and using the timer, ISO 200, and truthfully I'm not sure about my other settings "1/20 and F11", can't find any thing with the lower case "f." When I set the upper case "F" to 22 the picture becomes almost black so obviously doing something wrong. EDIT: Using a shutter speed of 1/3 seems to help depth of field focus but washes out the photos a little. Is this just a matter of playing with my settings until I find something that works with my particular lighting setup? Link to comment Share on other sites More sharing options...
Members Mikester Posted May 17, 2014 Author Members Share Posted May 17, 2014 Thanks, Matt! That did seem to help. Re-did the first pic, that's with 1/3, F22, ISO 200. Link to comment Share on other sites More sharing options...
Paulster Posted May 19, 2014 Share Posted May 19, 2014 Try 100 on the ISO Mike. That's what I use on my model shots. F22, ISO 100 and I let the camera automatically set the shutter speed. 1 Link to comment Share on other sites More sharing options...
Members Mikester Posted May 19, 2014 Author Members Share Posted May 19, 2014 Any advice on photographing light colored plastic on a white background? Seems to be disappearing on me. Link to comment Share on other sites More sharing options...
Paulster Posted May 19, 2014 Share Posted May 19, 2014 Can't speak for your camera. Try playing around with your shutter speed. Flash on, flash off. Try 100ISO at 2 seconds and so on. Have your camera hooked up to your computer while your taking pictures so you can immediately see your results. Link to comment Share on other sites More sharing options...
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