DocRob

Thank you Mike and Carl, for sharing your experiences with these type of colors. I never had this kind of issues with Tamiya lacquer though, Carl, that´s why I thought, application of Zero paint will be more or less the same. I use the Tamiya lacquers a lot and the only issue I had, was that they can affect masked clear parts, but most of the fogging can be rubbed away with a cotton swab. Good (for me, not for you ) to hear, that you experienced similar issues and that misting on coat after coat is the way to go. I guess, that is why these colors don´t dry glossy. Thank you for the information about the even hotter 2K clear. I was planning to use Zero´s 1K lacquer clear coat, of which I heard good things. I wear definitely always a respirator mask when working with this kind of stuff, luckily. I´d like to see your Miura, Carl, I have one in my stash as well, accompanied with some etch and, what else, a jar of ZERO paint . Cheers Rob

I hope so, FA. I stripped the color, which was nearly impossible and showed the quality of the priming, then sanded and some minutes ago, reprimed all the whit parts again. Tomorrow will be the time of truth, with very thin applications of Zero white. Cheers Rob

A while ago, the McLaren was shelved, because I couldn´t mount the body onto the floorpan, without having a gap of 1-2 mm between them. I wanted to keep the body removable and because, I had no idea how to tackle this without the gap, the MP4/6 got benched. Then I had an idea. When I bought my MFH Brabham lately, I also ordered some aluminum rivets and when I saw these, I thought, I could drill tiny holes into the overlapping parts of body and floorpan and insert the rivets, which locks the parts in the correct position. Done and almost invisible, when painted later. I caught some fresh wind on that project and started the bodyworks with priming. Mr. Surfacer 1500 went on super smooth. I wanted to accomplish a bit more practice with paints like Zero or Number 5, before I continue with my Cobra Coupe. Good that I´ve done so, because... ... then disaster struck. I sprayed Zero Paints MP White on in a light but covering layer and all looked good for a minute or two. Then, grey shadows loomed through the paint, followed by the late forming of orange peel. Somehow the paint must have reacted with the plastic through the primer. Normally, that would have been the point to bin the kit, but like I said, I´d like to get a better feel for these kind of colors and finishes, so I stripped and sanded the parts for some hours and will redo everything. I found a video abut how to apply Zero Paints best. It states, that you only mist a tiny bit of color onto the primer wait for ten to fifteen minutes for the next layer and so on. You should use 1,5 bar for that. I usually spray low pressure highly thinned for best results, but these colors seem to need instant drying through the air pressure, because they are so hot. Lets see, how the next try works out. Cheers Rob

Wow Mike, you are going all in with the detailing. The opened gun bay will be an eye catcher, as well are the engines. Cheers Rob

Puh, that´s a high amount of trouble you stepped in, Hubert, but it seems everything is manageable, if only the paint lasts. Good luck with the repairs. Cheers Rob

Nice, PW, painting blends beautiful with decaling and weathering. The same kit was one of the first, if not the first, re entering the hobby many moons ago. Cheers Rob

Nice and groovy and fitting to the season. Cheers Rob

Pah, easy, it´s totally broken . Cheers Rob

I guess, the guy had other problems . Thank you Kevin, it was a fun project with a bit of experimenting. What could be better. Cheers Rob

Ok, I´m green . Cheers Rob

Thank you Hubert, I thought about adding more gras to the scenery as well as more small lava stones, but there were so many things cluttered on the ground, like weapons, bottles, helmet, it would have become too busy for my liking. I wanted to generate a feeling of really deserted desert. I may have to do better photos and bury my dio bowl somewhere in beach sand to enhance the desired look. I think about the bottles, but when you find some on a shore, which lasted in the water or on land for a long time, they look almost unharmed. These PET bottles are nearly indestructible and that´s one twist of the story, they last longer than a high tech equipped pilot in his battle suit. Cheers Rob

Thank you Paul and Mike. After browsing through my stash, really unamazed by the Sandbox theme, I discovered the Kampfanzug and promptly, I had the picture of the dead pilot in his steel coffin in my mind. A high tech suit, prepared for almost everything but a lasting sandblast in a ruthless desert. The Neuspotter drone was a later addition to the scene, as I wanted to build one since my late teen age, but I found it fitting and adding some sinister twist to the little dio. Cheers Rob

Almost done with the project. I added lots of details to my main acts, like a syringe made from clear plastic sprue and metal rods and a tiny push disc, dipped into clear green. The mask of the pilot was hanging out of his cockpit by it´s tube made from an old guitar string and many more. The threaded rod, holding the Neuspotter was painted in sand color and surrounded by dry grass from my garden to hide it a bit and simulate a hovering effect. Then I glued the Kampfanzug in place on it´s stone and used AK´s desert sand paste to design the ground. With a wet brush, I formed the typical sand ripples and amassed the sand on the front right side, where the blasting storm came from. Next, I pressed the weapons, the pilots helmet and all the empty squeezed water bottles into the paste and added very fine real sand on top. I used the sunny day to get some really harsh lighted outdoor shots, but will later add some from the photo box, when finished. Cheers Rob

Welcome to the full modeling go without excuses anymore, Hubert . Congratulations that it was such a seemingly smooth transition. I kind of retired very early and never regretted it and enjoy live full throttle. The Potez is coming together nicely. I like the subtle but noticeable weathering, which blends everything together. Chalk effects are always a bit of guessing, with clear coats applied on top. For these effect, I use weathering pencils more and more, which fade less under clear coat. Cheers Rob

A good looking Hawk, Kevin. Chalky materials and clear coats are always a bit of a mystery, considering the effect in the end. Cheers Rob

Looking great Gus. This unique bird has the typical looks of an in between construction. Many modern aspect, but lots of old school approaches as well. There lays a certain charm into. Cheers Rob

Please keep in mind, this stuff is "flowing" with gravity, especially, when applied thick. I found it partly usable for objects with lots of distinct surface details, for larger flat areas not so much. Kabuki or liquid mask will work better under these circumstances. Cheers Rob

Yeah Gus, the sponsoring has an unsexy hue of dairy megalomania. Somehow, I knew then about their sponsorship through a Lancia Stratos, if I remember it correctly. Fila as well looks to me like a producer of clumsy sports clothing, but the car has some sexiness, which erases all the negs for me. Cheers Rob

Indeed Carl, it took me a bit to discover it´s virtues. Such a consequently engineered car in a time, where many cars were hand built curiosities. Cheers Rob

I consider none of my kits as a collectors item Paul and I plan to build them all. It doesn´t matter to me how rare or expensive a kit is, my intention is to build it, if my live span lasts long enough . I have a decent vinyl collection with lots of rare and precious records, collected over many years. Each of these is played and none are sealed anymore and I never will sell a record. With kits it´s the same, because I buy kits with a rendering of the finished one in my head. Actually, the BT52 is up on my to build list. Cheers Rob

Scary Carl, but I know the game here on my island, where it becomes more and more difficult with the supply of chemical modeling goods. And then there is the hilarious limitation to 30ml jars of paint. Cheers Rob

An early Christmas present for myself, due to the super fast shipping of MFH, it arrived even in November. I wanted to have another MFH kit and fought a hard battle between the super nice T1G Eagle and the also very pretty Lotus 77 of Mario Andretti, which was just released. While browsing the MFH page, I saw, there is an older kit still available, which is a rarity with this company. I checked the ungainingly pictures of the unpainted Brabham BT52, realized, it was BMW powered (I don´t like BMW for many reasons, which I´m not willing to share here), checked it was of the turbo age (uncool), apparently from the time, before I got semi interested into F1 racing and forgot about it. Some days later, I found a WIP on Britmodeller and was hooked. The BT52 looks absolutely fantastic under the hood, with asymmetric engine design, early carbon monocoque and a very clean streamlined body shape on the outside. I threw my BMW prejudices over board and bought the kit, which was the last, as it is no more available. Now I have the most powerful F1 car of all times in my garage. The engine could produce up to 1400 horsepower out of 1,5 liter displacement . Cheers Rob

Thank you Kevin, there is mor youth in it, than you might think. The Neuspotter is a 40th anniversary edition. In my youth, i couldn´t afford these old Nitto kits, with or without psychedelic enhancement . Gracia Martin, it is indeed refreshing to not being accused of have forgotten the tiny bolt heads on the rear of the left arm actuator and do some freestyling. Besides, 1/20 is a great scale and should be used by more producers and different subjects (duck because of burning pyre ). Search and rescue always was a difficult business and it still is in a MaK future, Hubert. These drones have lots at their mind, not to collide with each other, don´t run into mountains, watch your spindly arms, etc. Maybe this example was smart enough not to hover into a sandstorm, decisions, decisions... Thank you Paul, these type of kits are a great canvas to develop own scenarios, there is more freedom, as there are no limitations through real life. Cheers Rob

Today, I finished the basic setting. The main components of the Neuspotter were airbrushed with chalky white color (washable white) and then weathered with a stiff brush, but only slightly, as the rescue drone didn´t suffer that much. This was followed by a DAK wash with pigments, dotted onto the white color. After drying and manipulating a bit with a flat brush, I assembled the main components of the Neuspotter and added some wires and coils to arms and "body". Then I threaded the drone on it´s mount and the angle, it was hovering was like I desired. The backrest of the deceased pilots Kampfanzug was made from two lava stones from my garden. I liked the bubbly appearance, as it looks a bit strange. Next, I have to add the various bits and pieces, like water bottles, weapons, helmet, etc. and design the dio with sand baste and sand. Cheers Rob

I rig my WW1 planes the same way like Hubert. EZ-Line is too wobbly for that method, but monofilament works relatively trouble free, due to it´s rigidity. Some areas which were harder to reach during my AEG G.IV build (between nacelles and fuselage) were rigged with elastic thread from Infini (0,135mm), which is also threadable. If you make your own turnbuckles from brass or aluminum tube (I prefer aluminum, as there is no need for painting), cut the tube with a sharp blade, while rolling it onto a cutting mat and you minimize the burr. I additionally clean the holes of the cut tubes with a drill bit, which makes threading easier. Cheers Rob